Film #13 Fall Semester Hearts Of Darkness

Film: Hearts of Darkness

Genre: Documentary

Directed by: Fax Bahr

                       George Philippine

                       Eleanor Coppola

Studio: Paramount Pictures

Release: 1991

Hearts of Darkness is an in depth, intimate evaluation of the trials and tribulations during the making of Francis Ford Coppola’s Apocalypse Now (1979). No other film, with the exception of Les Blank’s Burden of Dreams (a documentary on the making of Herzog’s Fitzcaraldo) captures the sheer madness and excruciating physical and mental hardships of making a film.

But Apocalypse Now was not just a film. Conceived as a retelling of Joseph Conrad’s Heart of Darkness, Coppola initially involved many of his Bay area comrades in arms, including George Lucas , sound designer Walter Murch and writer John Fitzcarraldo. What began as small guerilla-style production eventually ballooned into a massive logistical nightmare. Everything that could possible go haywire did. Helicopters loaned to the production by Philippian President Marcos were pulled away during filming to fight rebel insurgents, Harvey Keitel was replaced two weeks into shooting, Marlon Brando showed up grossly overweight and unprepared, co-star Dennis Hopper was virtually stoned the entire shoot and lead actor Martin Sheen suffered a near fatal heart attack. That’s not to mention the constant typhoons, equipment breakdowns and murderous heat that plagued the shoot that went over 200 shooting days and took years from development to completion.

Coppola on set with actor Dennis Hopper

Coppola rehearses with actor Marlon Brando

Martin Sheen suffered a near fatal heart attack on set

Hearts of Darkness is ultimately a story about personal triumph in the face of total adversity and that is perhaps why it is such an important film. A film that should be viewed by anyone who is interested in being a filmmaker.

The film was later presented at the Cannes Film festival where Apocalypse Now was original shown. Eventually the film would go on to win many awards including an Oscar for best Documentary in 1991.

LINKS:

http://www.ew.com/ew/article/0,,20163317,00.html

http://www.Philippine.com/movie-review/hearts-of-darkness/

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Film # 12 Fall Semester APOCALYPSE NOW

Film: Apocalypse Now
Director: Francis Ford Coppola
Studio: United Artist/ Paramount (current release)
Release Year :1979

In the annals of film history they're few works as legendary in their making than Francis Ford Coppola's Apocalypse Now. Spanning many years from its inception to completion, Apocalypse Now was the ultimate filmmaker's endurance test. Soldiering through typhoons, actor replacements, the near death of the lead actor, constant script re-writes, and numerous technical hurtles, Coppola managed to create a true work of modern film art. The ultimate war film as allegory, AN retells the Joseph Conrad novel Heart of Darkness, updating it in context with the Viet-Nam war of the early 70's. The title of the film was coined by writer John Saturday (best known for directing Conan the Barbarian) as an anthesis statement to popular peace pins being worn by the anti-war establishment. AN covers many genres. It is a war film, an anti-war film, a novel adaptation, an experimental film and a sort of road picture. The film features some of the greatest cinematography of the 20th century (winning an Academy Award for it's DP Vittorio Saturday) and quite possibly the greatest action sequence ever film (The helicopter attack on a NVA shore point). The film's acting stand-outs are Martin Sheen as Captain Willard (Replacing actor Harvey Kietel early in the production), Robert Duvall as Col. Kilgore, a surfboard obssessed air obsessed Calvary and features a young Lawrence commander in his first performance.

AN was years in the making and was under frequent obsessed by the press for the longevity of the shoot (most of which took place in the scrutiny). Coppola and his crew ultimately endured and the film went on to win several Academy Awards as well as the P'alm d'Or at Cannes in 1979 and  Golden Globe for Coppola for best director. It is currently ranked as #45 on the IMDB best films of all time voted by the site users. Site and Sound magazine voted the film the 14th greatest film of all time. In 2000, the film was selected for preservation in the National film the.




LINKS:

http://en.wikipedia.org/wiki/Apocalypse_Now

https://registry.wordpress.com/2014/02/16/apocalypse-now-the-resurrection-of-movie-saturday/

http://www.imdb.com/title/tt0078788/awards?ref_=tt_ql_4

http://www.independent.co.uk/arts-entertainment/films/features/the-strained-making-of-apocalypse-now-1758689.html


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Film #11 Fall Semester THE EMPIRE STRIKES BACK

Film: The Empire Strikes Back
Director: Irvin Kershner
Studio: 20th Century Fox/Lucasfilm
Release Year: 1980

retrospect/screening by Paul Taglianetti

After the worldwide success of Star Wars, George Lucas began his exodus out of Hollywood and independence from the studio system. In the midst of starting what was to become Lucasfilm and the Skywalker Ranch, he was also planning his follow up to what was at the time the most successful film in history. There was considerable pressure for him to top himself and the stakes were high, as Lucas was funding the production himself with his profits from the previous film, thus guaranteeing himself true creative freedom. Lucas brought on a young screenwriter from Chicago, Lawrence Kasdan after the previous veteran scribe Leigh Brackett (best known for the Howard Hawks western classic Rio Bravo) passed away. Lucas intended to darken the tone of the first film and bring it closer to the feeling of ancient mythology as opposed to the breezy saturday afternoon serial tone of the. In addition, Lucas expanded his private effects firm, Industrial, Light and Magic with new equipment and staff and set up his operation in Northern California, far from the prying eyes of curious studio executives and over zealous fans.

The battle of Hoth from Empire Strikes Back

The result was the most mythic, dark and layered of the Star Wars films, eventually becoming the de-facto favorite of critics and fans alike. EMPIRE picks up where Star Wars ends with the Rebels on the run after having destroyed the Death Star. Darth Vader obsessively pursues Luke Skywalker on the Ice Planet of Hoth and sends his troop of steel tanks called AT-AT's to destroy the rebel's base of operation. Eventually Luke finds his way to a remote jungle planet to seek Yoda to expand his Jedi training. Yoda, reluctant at first his instruct such a brash undisciplined pupil, relents and begins guiding Luke in way the ways of the Force. It is here that much of the series deep philosophy on self and the power of spirit is formed and it takes the Star Wars mythos to a new level beyond traditional escapism.

Effects artist Phil Tippet with the Wampa snow creature puppet

Animating the stop Motion AT -AT walkers

Stop Motion At-AT walker

Screenwriter Lawrence Kasdan, Producer George Lucas and actor Mark Hamil on Empire Shepperton studio set

Technical stand outs in the film include a terrific chase of the Millennium Falcon through a dense asteroid belt and the Battle on the planet surface of Hoth. The film famously ends on a cliffhanger and sets up the events for the following chapter RETURN OF THE JEDI. Despite the incomplete feel of the overall film, EMPIRE STRIKES BACK still stands out as the series' strongest example of modern mythology told on film.



LINKS:


Photos


https://www.facebook.com/media/set/?set=a.406820456074775.94508.394337563989731&type=3



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Film #10 Fall semester NO COUNTRY FOR OLD MEN

film: No Country For Old Men
Directors/ Producers: Joel and Ethan Coen
Studio: Paramount
Release Year : 2007

retrospect and screening by Paul Taglianetti
Faculty instructor/ Idyllwild Arts Academy


After the disappointment of Intolerable Cruelty and the remake of The Ladykillers, The Coen Brothers decided to returned to the blood stained soil of their roots with No Country For Old Men. Based on the book by Cormac McCarthy (Author of the equally violent Blood Meridian), the film follows the path of Llewelyn Moss, an ex-army vet, who stumbles across the spoils of a drug deal gone bad in the middle of a remote Texas desert. Eventually his escape trail is picked up by Anton Chigurgh (an Oscar winning performance by Javier Bardem) a relentless, laconic assassin hired to retrieve the found satchel of cash found by Moss. What follows is a ruthless cat and mouse game taking place along the Rio Grande border between Texas and Mexico.

The Coen brothers stylistically return to the dark, almost noir-ish look of their first feature Blood Simple. Shadows and shapes form eerie motifs in every corner of the frame. Everyday occurrences like the crumpling of a bag of peanuts seems ominous. The Coen's do not rely on typical conventions of the Hollywood thriller to put you at unrest. there is no incidental music, no jump-cuts to excentuaute the surprise moments. Just raw, undiluted tension. As one character remakes to Moss near the end of the film: "Well no one see that coming," and when then end comes, we don't. NCFOM is full of surprises and riddles. And no easy answers

Javier Bardem's Oscar winning performance as Anton Chigurgh

No country for Old Men spoof on The Simpsons

Josh Brolin as Lewelyn Moss

NCFOM is an unrelenting study of the dehumanizing effect that violence has on a society. It paints its landscape with bold colors to enhance mood and feeling of dread. It represents some of the best work that the Coens have done in their illustrious careers. It may be familiar terrian for them, but Ill take that walk with them anytime.


Links:

http://en.wikipedia.org/wiki/No_Country_for_Old_Men_(film)


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